Completed Access to Information Requests

About this information

Search the summaries of completed Access to Information (ATI) requests to find information about ATI requests made to the Government of Canada after January 2020. If you find a summary of interest, you can request a copy of the records at no cost using the form below each summary. Requests made through this form are considered informal requests and are not subject to the same requirements as requests under the Access to Information Act (ATIA).

If you don’t find what you are looking for you can request additional government records under an institution’s control by contacting the institution’s Access to Information and Privacy Coordinator or by submitting a formal access to information request.

*All information provided will incorporate the necessary exemptions and exclusions as per the Access to Information Act and the Privacy Act.

Download datasets of the summaries of completed access to information requests.

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Found 9 record(s)

Req # A-2023-00018

Copies of all training manuals, directions, and other instructions on the conduct of Hearings issues by the Office of the Chairperson of the Social Security Tribunal of Canada (SST), or such other person that may have instructed the Tribunal Member on the conduct of Hearings. This would include any scripts that Tribunal Members were advised to read at the initiation of any Hearings they conduct.

Organization: Administrative Tribunals Support Service of Canada

244 page(s)
December 2023

Nothing to report this month

Organization: National Film Board

December 2023

Nothing to report this month

Organization: Administrative Tribunals Support Service of Canada

December 2022

Nothing to report this month

Organization: National Film Board

December 2022

Req # A-2021-00017

Canadian Cultural Property Export Review Board (CCBERB): Documents, files, and briefing notes related to the sale of Emily Carr's painting Skedans. I am looking for more information on the process by which Emily Carr's painting, Skedans, was exported from Canada, including the export permit, and also any emails, reports, briefing notes and presentations that were made.

Organization: Administrative Tribunals Support Service of Canada

13 page(s)
December 2021

Req # A-2020-00012

A copy of all policies, directives and guidelines and training materials provided to Board members of the FPSLREB from March 2010 to the present [2020-04-09].

Organization: Administrative Tribunals Support Service of Canada

468 page(s)
December 2020

Req # A-2020-00043

A list of all encumbered ATSSC positions (including the gender and those encumbered by individuals acting in these positions) at the EX01,EX02, EX03, EX04, EX05, LC02, LC03, and GCQ-7 levels for each for the three timeframes: As of November 1st, 2014; As of October 15th, 2019; and as of November 27, 2020.

Organization: Administrative Tribunals Support Service of Canada

3 page(s)
December 2020

Req # AI_2020-2021_3

All archived records pertaining to the commissioning, production, screening, publicity and the release of the following films/animations: Around is Around (1951), Now is the Time (1951), Twirligig (1952), In the Labyrinth (1967), Ontari-oh! (1985/6), Transitions 3D (1986). All archived documents relating to involvement in the above-mentioned films of following directors and/or producers and/or personnel: Colin Low, Nicky Ianzello, Ernest (Ernie) McNabb, Roman Kroitor, Norman McLaren, Evelyn Lambart, Greta Ekbert. All archived documents relating to the Festival of Britain (1951), to the United States Bicentennial project (NFB project, 196?), to the Expo ’86 project (in collaboration with IMAX) and to the technical experimentations with stereoscopic cameras at the NFB’s engineering department in the 1960s and 1970s. All archived documents relating to collaborations with IMAX Corporation (under all its names) and the annual reports 1950-3; 1960–1970; 1985-6.

Organization: National Film Board

4176 page(s)
December 2020

Req # AI_2020-2021_7

For the fiscal year 2019-20: External production costs for each studio: French and English programs, as well as the Institutional Program. This should include costs (gross), external revenue from presales/partnerships, and costs (net of external presales and partnerships).

Organization: National Film Board

3 page(s)
December 2020
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